James McAvoy’s Cyrano de Bergerac co-stars ‘racially abused’ in Glasgow

James McAvoy’s co-stars in Cyrano de Bergerac had been racially mistreated on a basis that is”daily although the play was on tour in Glasgow, the actor has advertised.

The star, who had been created within the city’s Drumchapel area, said the harassment skilled by female cast users left him “delighted to leave” his home city.

He told GQ magazine, the ability ended up being “horrible” in which he regretted taking the production to Scotland.

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McAvoy said that rather of the “homecoming”, the performances were marred by the “sexually violent and explicit” abuse their peers experienced beyond the theatre.

“The cast were amazing, it absolutely was brilliant,” he said. “But we ended up being really saddened, to be honest we had been there. with you, because all the ladies of colour into the cast got racially abused essentially every day when”

He added: “we ended up being simply actually saddened. I was absolutely shocked and dismayed and to utilize a word that is scottish scunnered.

“We were delighted to arrive at Brooklyn, and then leave Glasgow. It was horrible.”

The adaptation of Edmond Rostand’s Cyrano de Bergerac had an run that is award-winning London before travelling to Glasgow then on to New York.

An ethnically diverse cast conversed in the style of the poetry slam or rap battle with a live beatbox soundtrack in Jamie Lloyd’s manufacturing.

Regarding the staging in Glasgow, McAvoy said: “I became happening stage every going, I do not desire us to be here night. I brought this cast here and I don’t right here want to be.”

A spokeswoman for the Theatre Royal said these people were “extremely upset” by the incidents which occurred elsewhere in Glasgow city centre.

She added: “Diversity and inclusion remain a priority we offered appropriate help to the business at enough time. for all of us and”

It felt just like a gig that is live than a bit of classic theater.

James McAvoy – back on stage in Glasgow for the time that is first 20 years – has to pause to allow the whooping and cheering to subside before delivering their very first line at the Theatre Royal.

The Cyrano de Bergerac production by the Jamie Lloyd business is a stripped back version of a Century that is 19th play many times – perhaps most memorably by Steve Martin in the film Roxanne. No props, no period costumes, no nose that is falseCyrano’s gift being his poetry, not his looks).

The celebrity is McAvoy but the ensemble that is 18-strong the show a power and energy – taking the mic, and their minute in the limelight to deliver lines just like a slam poetry event.

“I love words, that’s all” – says Cyrano, and by the end of the show James McAvoy convinces the audience that words are everything.

It is sad then to contrast that ecstatic welcome, because of the abuse that is verbal members skilled in the city outside.

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